The tower is of interest in view of its vaulting which can be seen at the western end of the nave, opening up from two arches.
The interior is a fine example of the Romanesque style with whitewashed walls and arches of limestone and Bornholm marble.
During the restoration work, traces of frescos or kalkmalerier were found but were too faint to warrant further attention.
[1] The altarpiece consists of a painting from 1846 of Christ in the Garden of Gethsemane by the renowned Danish painter, C. W. Eckersberg.
There is evidence of earlier altarpieces during the Roman Catholic period of the church's history, including the figure of the Virgin Mary, which now hangs over the font, and the crucifix on the nave's southern wall, both from around 1500.