Ida Craddock

[5] Although a member of the Unitarian faith, Craddock became a student of religious eroticism and proclaimed that she was a Priestess and Pastor of the Church of Yoga.

She achieved national notoriety with her editorials to defend Little Egypt and her controversial belly dancing act at the World's Columbian Exposition, which was held in Chicago in 1893.

Among her works were Heavenly Bridegrooms, Psychic Wedlock, Spiritual Joys, Letter To A Prospective Bride, The Wedding Night, and Right Marital Living.

Aleister Crowley reviewed Heavenly Bridegrooms in the pages of his journal The Equinox and stated that it was: ...one of the most remarkable human documents ever produced, and it should certainly find a regular publisher in book form.

Mass distribution of Right Marital Living through the US Mail after its publication as a featured article in the medical journal The Chicago Clinic led to a federal indictment of Craddock in 1899.

On October 10, Craddock was tried and convicted, with the judge declaring The Wedding Night to be so "obscene, lewd, lascivious, dirty" that the jurors would not be allowed to see it during the trial.

On October 16, 1902, the day before she was due to be sent to a federal penitentiary, Craddock died by suicide after she had slashed her wrists and inhaled coal gas from the oven in her apartment.

She had penned a final private letter to her mother and a lengthy public suicide note condemning Comstock, who had become her personal nemesis.

Comstock had opposed Craddock almost a decade before during the Little Egypt affair and effectively acted as her prosecutor during both legal actions against her in federal court.

Her battle with Comstock is the subject of the 2006 stage play Smut Or The Travails Of A Virtuous Woman by Alice Jay and Joseph Adler, which had its world premiere at Miami's GableStage in June 2007.

[10] In 2010, after a century of her works remaining almost completely out of print, Teitan Press published Lunar and Sex Worship by Craddock, which was edited and had an introduction by Vere Chappell.