Iddin-Dagan

Kindattu had been driven away from the city-state of Ur by Išbi-Erra[i 5] (the founder of the First Dynasty of Isin), however; relations had apparently thawed sufficiently for Tan-Ruhurarter (the 8th king to wed the daughter of Bilalama, the énsí of Eshnunna.

This is a fragment of a stone statue[i 6] with a votive inscription which invokes Ninisina and Damu to curse those who foster evil intent against it.

A tablet[i 9] described Iddin-Dagān’s fashioning of two copper festival statues for Ninlil, which were not delivered to Nippur until 170 years later by Enlil-bāni.

The continued fecundity of the land was ensured by the annual performance of the sacred marriage ritual in which the king impersonated the god Dumuzi-Ama-ušumgal-ana and a priestess played the role of Inanna.

A hymn describing Iddin-Dagan's performance of this ritual in ten sections (Kiruḡu) indicates that this ceremony involved a procession of: male prostitutes, wise women, drummers, priestesses, and priests bloodletting with swords to the accompaniment of music, followed by offerings and sacrifices for the goddess Inanna, or Ninegala.

A praise poem to Iddin-Dagān, King of Sumer . Cuneiform script inscribed on a clay hexagonal prism, currently located at the Musée du Louvre [ i 2 ] (dated to c. 1950 BC.)