At the final awards show, the golden "dildies" are presented to the winners and Keefe Brasselle sings and dances with showgirls.

Vincent Canby of The New York Times panned the film as "a collection of witless blackout sketches dealing with infidelity, wedding nights, impotence and masturbation, played by a small cast of not very talented actors.

[5] Colin Phalow of The Monthly Film Bulletin wrote: "A tasteless revue of dramatised graffiti, dirty one-liners and 'after-dinner' jokes.

Showman Keefe Brasselle co-directs with an embarrassing, misplaced nostalgia for the stale techniques of the weekly comedy hour he hosted on American TV in the late Sixties; the 'big band' score, cramped camerawork, run-on skits, creaking song and dance routines and corny opticals certainly hasn't improved with age.

"[6] Despite the scathing reviews, the film proved very successful with undiscriminating college audiences, and earned more than four million dollars at midnight shows across America.