He has also been a participant and laureate of numerous international exhibitions, organized and held in various international exhibitions across Ukraine, Russia, the US, and Norway.After completing his military service, he founded Production Center ltd, a company engaged in film production, creating series projects for Ukrainian and Russian TV channels.

[3] After establishing the Masoch Fund, together with Igor Durich, he actively conducted various artistic projects in Ukraine, Russia, and in Germany.

Since 1997, he has been engaged in the integrated design of the visual-image components of political election campaigns[4] in both Ukraine and Russia.

[7] In the artistic development of the theme of decomposition and decay there are only two types of matter, two definite formations of "flesh" – human and architectural.

They are the receptacles of all sorts of energies, the connections of various semiotic codes – the most clearly demonstrated manifestations of regressive forces.

The propensity to the metamorphoses of decomposition reveals and, in a special way, mythologizes the "corporeality" of these two organisms, and the inconstancy of the point of view on their relations in this state (fluctuations from allegory to thriller), constantly improves the iconography of Podolchak's aesthetics in general.

Both Podolchak's films have common characteristic features: departure from narrative, anthropology of enclosed worlds, elaborated composition of frame, unusual shooting angles.

The spaces of Las Meninas and Delirium are similarly dense, difficult for movement, tiresome both for the characters moving within them and the viewers watching them.

Its script is based on the story Inductor by the Ukrainian writer and journalist Dmytro Belyanskyi.

Київ: Видавництво «Мысль», 2008 ISBN 978-966-8527-62-3 · Offenbarungen über den Gott ... Lodz: Correspondance des Arts II, 1993, OCLC 498467121 · Gilgamesh.