In the Bleak Midwinter

It was published under the title "A Christmas Carol" in the January 1872 issue of Scribner's Monthly,[1][2] and first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875).

[3] Darke's is an anthem composed in 1909 and intended for a trained choir; it was named the best Christmas carol in a 2008 poll of leading choirmasters and choral experts.

Enough for Him, whom cherubim Worship night and day, A breastful of milk And a mangerful of hay; Enough for Him, whom Angels Fall down before, The ox and ass and camel Which adore.

Angels and Archangels May have gathered there, Cherubim and seraphim Thronged the air; But only His Mother In her maiden bliss Worshipped the Beloved With a kiss.

The third verse dwells on Christ's birth and describes the simple surroundings, in a humble stable and watched by beasts of burden.

Rossetti achieves another contrast in the fourth verse, this time between the incorporeal angels attendant at Christ's birth with Mary's ability to render Jesus physical affection.

Professor of Historical Theology, John Mulder, with his coauthor and fellow Presbyterian minister, F. Morgan Roberts, have noted that the reference to winter weather in the title and first verse is incongruous with its geographical setting in the hot climate of Judea.

He concedes that the image of a heaven unable to contain God, could be read as a "bold and original attempt to express the mysterious paradox at the heart of the Christian doctrine of the Incarnation".

[16] Benjamin Britten includes an elaborate five-part setting of the first verse for high voices (combined with the medieval Corpus Christi Carol) in his work A Boy was Born.

Christina Rossetti, portrait by her brother, Dante Gabriel Rossetti
"Cranham", by Gustav Holst
Darke's popular 1909 setting of In the Bleak Midwinter performed by the choir of St. Paul's Episcopal Church, Indianapolis
As first published in Scribner's Monthly (January 1872)