In with the Out Crowd is the sixth studio album by American ska-punk band Less Than Jake, released on May 23, 2006 on Sire Records.

Paul Decarli recorded horns and did Pro Tools editing with assistance from engineer Hatsukazu Inagaki.

Plotnikoff mixed the majority of the songs at Glenwood Place Studios in Burbank, California with assistance from Ian Suddarth.

[2] Following this, they embarked on a headlining US tour until March 2006, with support from Big D and the Kids Table, Rock n Roll Soldiers, Damone, and A Wilhelm Scream.

[11] Absolution for Idiots and Addicts, an EP, was released on March 14 featuring "Overrated (Everything Is)", "Negative Sides of Optimistic Eyes", "We, the Uninspired" and "The Rest of My Life".

[13][15] Bullets to Broadway supported on select dates; the trek included an appearance at the Groezrock festival.

[17] An Overrated (Everything Is) EP, featuring the title-track, "A Still Life Franchise" and the non-album track "Only Human", was released on May 1.

[18] On May 20, In with the Out Crowd was made available for streaming via Warped Tour's website, and released three days later through Sire Records.

[22] On August 19, an animated video was released for "Overrated (Everything Is)", and an alternative version of the song was made available for streaming.

[29] In April 2007, they played three US East Coast shows, prior to a short, four-date tour in Brazil.

"[32] In June 2007, they played a variety of European festivals, including Greenfield, Nova Rock, and Mach 1.

[33] In July and August 2007, the band went on a co-headlining US tour with Reel Big Fish, with support from Streetlight Manifesto and Against All Authority.

[44] In 2016, bass guitarist Roger Lima reflected on his dissatisfaction with the overall writing and recording process, stating: "I wanted to write songs that were a little bit faster, edgier and more punk rock sounding, but the producer that we were working with at the time, Howard Benson, who we’d worked with previously on Hello Rockview, was kind of curving us in the direction of a softer, more slow-tempo mainstream sound.