Inari shrines are typically constructed of white stucco walls with red-lacquered woodwork, and their entrances are marked by vermilion torii.
The original legend of Inari as described in the Yamashiro fudoki is the story of Hata no Irogu, who used sticky rice for target practice.
Kobo Daishi understood Inari's significance and built a shrine for the kami and inscribed on it the Chinese characters for "rice" and "sack".
[1] The spread of Inari worship first began through the kami's adoption as a yashikigami, which functioned as an estate deity that are commonly enshrined on family land.
This practice continues today, and the Motomiya festival is held annually in celebration of the roughly one thousand enshrinements of the Inari kami.
[1] There are many different variations of Inari origin myths, many of which developed and changed based on local and personal worship practices.
[1][2] When Buddhism first came to Japan during the Asuka period (6th century), many Buddhist temples were attached to Shinto shrines, blurring the line between the two beliefs.
As one of the principal deities of Shinto, Inari houses, feeds, and protects all people so that they may live a fulfilling life.
[9] The entrance to an Inari shrine is typically marked by one or more vermilion torii and images of foxes, which are often adorned with red yodarekake (votive bibs) by worshippers out of respect.
Almost every Inari shrine, no matter how small, will feature a pair of these statues, usually flanking or on the altar or in front of the main sanctuary.
[8] Offerings of rice, sake, and other foods are given at the shrine to appease and please these kitsune messengers, who are then expected to plead with Inari on the worshipper's behalf.