As a result, the director of the Bucharest branch of the Gaumont-Paris studio, Raymond Pellerin, announced the premiere of his film Războiul din 1877-1878 (The 1877-1878 War), scheduled for 29 December 1911.
A "film" made in haste, with a troupe of second-hand actors and with the help of General Constantinescu, who commanded a division at Piteşti, from whom he had obtained the extras needed for the war scenes, "Războiul din 1877-1878" was screened a day before by the prefect of the capital's police, who decided that it did not correspond with historic fact.
Consequently, the film was confiscated and destroyed, Raymond Pellerin was declared persona non grata and he left for Paris, while the "collaborationist" general saw himself moved to another garrison as a means of discipline.
Despite all its shortcomings as the theatrical game of the actors, the errors of an army of extras uncontrolled by direction which provoked unintended laughter in some scenes and rendered dramatically limp those of the beginning, the film was well received by spectators, being shown for several weeks.
Through this realization, through the dimensions of its theme, through the distribution method chosen, through the genuine artistic intentions, through its professional editing (for the time), the creation of this film can be considered Romania's first step in the art of cinematography.