Webb told Joel McIver of Classic Rock Presents Motörhead in 2010 that he had wanted to make an album with the band for years and met them for dinner at the Sunset Marquis Hotel to discuss the possibility of working together: "I talked about how I wanted to make a really heavy record with them.

Not only was Webb able to find unity in the band in terms of recording but also understand Lemmy's bass sound, which had a lot more gain than low end.

This was mostly attributed to Lemmy's hearing loss as he liked his songs to have a "brighter" sound and would always tell Webb to turn down the bass.

A country blues-style song, it was distinguished by acoustic guitar by all three members, with Lemmy adding harmonica towards the end.

But I wanted to take the original three chrome heads I had created two years earlier and show it in the process of being formed at the foundry.

[6] "There are tinges of the blues here, of punk and of metal", wrote Ian Winwood for Mojo, "played by a band whose sharpness and precision is these days often overlooked.

Lee Marlowe of Classic Rock stated in 2013 that "Killers" "is as catchy as anything in the band's vast catalogue: a strident stand-out on one of the strongest albums they've done", while "Whorehouse Blues" "makes perfect sense".

All tracks are written by Ian Fraser Kilmister, Phil Campbell, Mikkey DeeAdapted from the album's liner notes.