Each time the CD is played, supplied software remixes source material located on the disc and produces a new 20-minute musical piece.

K-Space was formed in 1996 after a series of study trips to Siberia by Scottish percussionist Ken Hyder and English multi-instrumentalist Tim Hodgkinson.

Hyder, Hodgkinson and Chamzyryn formed K-Space to experiment with improvised music rooted in the Tuvan shamanic ritual.

Their second album, Going Up (2004) was a sound collage of K-Space performances plus field recordings of shamanic rituals, manipulated and superimposed on one another.

[1] The idea for the Infinity project began when Tim Hodgkinson started describing some of the implicit rules that K-Space use during their live improvisations.

These sound sources were provided by K-Space and include field recordings, throat singing, various percussion, string and reed instruments.

John Cavanagh of The Herald in Glasgow said in a review of the album that even though he knew each listening was the result of a "computer triggered sequence", it always sounded like a "cohesive musical work, as though it was meant to be that way".