[1] In the film, a girl (Shobana), is found as an injured victim of a bus accident and has suffered memory loss and is unable to remember herself and her past life.

[3][4] A girl, is found as an injured victim of a bus accident, during her travel to religious places throughout India.

She is taken to a hospital in a hill station, where the doctor declares that she has amnesia due to the accident, and has forgotten herself and her past.

She forgets her larger past and starts to move with courage, towards her new-found self, after struggling within herself, asking questions.

After much searching with all his friends and resources, he finally gets information about a girl who was an accident victim on a hill station.

He calls Sandhya during her birthday party, where the doctor also announces the engagement of Maya with her son, Sharath.

He understands that Sharath and Maya are deeply in love with each other and leaves in haste, never showing Sarath his wedding photos with Gauri, that he was carrying with him.

The last scene shows the bewildered Maya and Sharath staring at him, leaving so abruptly, without drinking the tea she made.

What would someone like Padmarajan have made of the current generation of brave and beautiful filmmaking that is happening in the Malayalam industry?

Would he have provided succour with his movies during the barren period of creativity in the late nineties and early noughties?