Inscape is a 1967 musical composition for orchestra by Aaron Copland, approximately twelve to thirteen minutes in length, and commissioned by and dedicated to the New York Philharmonic for its 125th anniversary (see also Capriccio burlesco).
[2] It is named for Gerard Manley Hopkins's term "inscape", invented: to suggest 'a quasi-mystical illumination, a sudden perception of that deeper pattern, order, and unity which gives meaning to external forms.'
This description, it seems to me, applies more truly to the creation of music than to any of the other arts.Hopkins's opposite of "inscape" was "instress" ("perception as opposed to intrinsic, essential quality"), and a commentator writes that Copland, "uses sounds as an 'instress' that communicates a deeper inner essence, an 'inscape.
"[7] "Through the single, closely-knit movement of Inscape there is no perceptible contradiction between the serial and diatonic elements, rather they dissolve freely into each other to produce music of a stimulating independence of spirit.
"[9] "The writing," also, "bears the unmistakable imprint of Copland's mature personality, in its wide spacing, its spare, lucid textures, often in just two or three parts, and lithe, cumulative rhythms.