[7] The office has since completed a number of different project types including the Kunsthal in Rotterdam (1994), the Prada Epicenter in New York (2001), H-Project in Seoul (2004), Casa da Música in Porto (2005), the Mercedes-Benz Museum in Stuttgart (2006), the Prison Gardens in Belgium (2010) and the Dutch Pavilion of the Venice Biennale of Architecture (2012).
Her studio has worked on a variety of projects such as the set design for a performance of the musical drama, "Narcissus" by Calliope Tsoupaki.
Blaisse often incorporates a broad range of textiles into her projects, designing with curtains, carpets, wall coverings and other flexible objects.
She has for some projects employed transparent textiles, creating an "Invisible Presence"; this is a feature design element of the Glass Pavilion at the Toledo Museum of Art.
[12][non-primary source needed] On one hand, the material creates a sense of security; on the other, it allows light and sound to permeate the boundary between the inside and the outside.
[14][non-primary source needed] In 2004, she was awarded first place in a competition for the design of the urban landscape complex Giardini di Porta Nuova, Milan, Italy.
By developing weaving, stitching and sewing, Blaisse also brings new life to historic techniques and materials and makes them very useful as part of contemporary architecture.