Intaglio (printmaking)

Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination.

The plate is then rubbed with tarlatan cloth to remove most of its waste (surface ink) and a final smooth wipe is often done with newspaper or old public phone book pages, leaving it in the incisions.

Intaglio printmaking emerged in Europe well after the woodcut print, with the earliest known surviving examples being undated designs for playing cards made in Germany, using drypoint technique, probably in the late 1430s.

[11] Engraving had been used by goldsmiths to decorate metalwork, including armor, musical instruments and religious objects since ancient times, and the niello technique, which involved rubbing an alloy into the lines to give a contrasting color, also goes back to late antiquity.

One of the most popular secular uses of engraver's art was in the production of playing cards, a diversion enjoyed by the aristocracy and the common people.

The appearance of engraving is sometimes mimicked for items such as wedding invitations, by skeuomorphic embossment of lettering printed by another process (such as lithography or offset).

Micro-topography of an ordinary French post stamp (detail) showing the thickness of ink obtained by intaglio. The words la Poste appeared in white on red background and hence corresponds to areas with a lack of ink.
Banknote portrait pattern made with intaglio printing. Denomination: 1000 Hungarian forint . Depicted area: 18.1 by 13.5 millimetres (0.71 in × 0.53 in).