Interpretive dance

[1][2][3] It seeks to translate human emotions, conditions, situations or fantasies into movement and dramatic expression, as opposed to following a specific dance style or telling a linear story.

Duncan rejected the rigid technique and restrictive costumes of ballet in favor of more natural, flowing movements performed barefoot and in loose-fitting tunics.

[5] St. Denis was influenced by Eastern dance and spirituality, incorporating elements like bare feet and elaborate costumes into her performances.

[6] Other pioneers of interpretive dance in the early-to-mid 20th century included Martha Graham, who developed her own expressive technique[7] and frequently explored psychological and social themes; Doris Humphrey, who experimented with fall and recovery;[8] and Merce Cunningham, who embraced chance procedures and avant-garde music.

The pioneering work of the early interpretive dancers paved the way for the development of modern dance as a major genre in the 20th century.