Intimacy Remixed

It was released on 11 May 2009 in the United Kingdom through Wichita Recordings, the band's primary label, in limited edition CD and triple LP formats to coincide with Bloc Party's worldwide touring schedule.

The band members gave each of the original tracks, including those on the deluxe edition of Intimacy, to a number of musicians from different genres; Mogwai, Filthy Dukes, and No Age were amongst those who reworked the songs.

[6] Pitchfork Media's reaction to the release news was mixed; Tom Breihan indicated that the concept could be successful, but noted that the idea of remix albums in rock music has become stagnant.

[18] James Hendicott of State.ie described the album as "something special" that should appeal to both Bloc Party fans and dance music lovers due to its "highly listenable, subtly energetic sound".

[19] Pitchfork Media's Ian Cohen was largely disappointed with the record and concluded, "Remix albums all but acknowledge their own inessentiality—why not take more chances when only the diehards are going to subject themselves to 60 minutes of someone else's idea of what Intimacy could sound like?

[19][17] Synthpop group Filthy Dukes took charge of "One Month Off" and created an electro house version of the track according to Chris Power of Drowned in Sound.

[15] London-based Italian solo act Alessio Andalusia, under his Banjo or Freakout alias,[18] provided the remix for "Ion Square" and created an ambient version of the original.

[16] Power concluded, "By taking the percolating synth from the end of the original version and wrapping the sweet E. E. Cummings-borrowed lyric—"I carry your heart here with me"—in a dense cloud of treated, looped guitar, he produces a remix that ... offers an interesting, possibly even superior, reading of its source material.

"[10] Album closer "Your Visits Are Getting Shorter (Optothetic Remix)" was named as a "generic commercial dance music" song by Lee White of This Is Fake DIY.

A DJ wearing headphones is performing using his turntables and other electronic equipment. A computer monitor is visible in the background.
Armand Van Helden added trance elements and extensive studio effects to "Signs".