In support of the album, Invocator played numerous shows with the likes of (Evil Dead, Lȧȧz Rockit, Atheist, Suffocation, Asphyx, Immolation, Bolt Thrower, Benediction, Massacre, Pungent Stench, Atrocity etc.)

The average song of that era typically consisting of several different parts and numerous tempo changes, Invocator's early style displays some of the emphasis on technicality and progressivity that would characterize their later releases.

The band's new style, which was previewed on a promo tape in 1992, retained the complexity of the debut album, but emphasis on speed had been abandoned an even higher focus on technicality and progressivity taking its place.

The recording of their second album Weave The Apocalypse began in 1993 with engineer/producer Eric Greif, (uncredited) Death co-producer (Spiritual Healing) and manager, at Elsound Studio in Copenhagen.

Dying To Live, the band's third album, which musically combines groove metal with the technicality of the predecessor, was recorded and released in 1995, with another line-up change preceding it, as bassist Per Jakobsen being replaced by Carsten Mikkelsen.

In the early 2000s, Jacob Hansen started to write new songs together with guitarist Flemming C. Lund, known for his work with Autumn Leaves and The Arcane Order, and a temporary drummer was found in Brian Rasmussen from Behind The Curtain and Mnemic, and in 2002 a demo was released.