[1][2][3] According to Schweizer, she first met Cyrille when he attended one of her concerts in Stäfa, Switzerland.
She invited him to join a jam session, and the two later played a duo that she described as "an unforgettable experience."
"[1] In a review for AllMusic, Thom Jurek wrote: "What is most remarkable about this session is how immediately the rapport between the pair is established.
Schweizer goes after a rhythmic angular line, chopping it up into small staccato phrases, and Cyrille, using the entire wealth of his drum kit and gongs, feeds back her pulses as either specific accented answers or contrapuntal inversions that she takes enough delight in to lengthen her statements.
"[4] The authors of the Penguin Guide to Jazz Recordings awarded the album 3½ stars, but noted: "One senses that Schweizer is very aware of the Taylor lineage and deliberately tries to steer away from it, though the clusters and clumped runs she falls into are immediately and inescapably redolent of the American pianist.