Longley shot the film in Digital Video on a Panasonic DVX100 miniDV camcorder.

[2] The film was shot in Iraq and edited at 911 Media Arts Center in Seattle.

This film has three parts to it which describe the viewpoints of Sunni, Shi'ite, and Kurdish residents.

The website's critical consensus states, "A stylistically bold, humanist take on the difficulties of post-invasion Iraq".

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