She made her debut as an amateur in the play La taza de café, directed by Juan Rodolfo Amán.

She participated in the First Worker and Peasant Theater Festival in 1962 with La fablilla del secreto bien guardado.

In 1961, she joined a group of young actors with training in mime and body language under the orders of the French professor Pierre Chausat.

She belonged to theater groups such as the Conjunto Dramático Nacional, Las Máscaras, La Rueda, and Guernica, appearing in plays such as A Streetcar Named Desire, Réquiem por Yarini by Carlos Felipe Hernández, The Threepenny Opera, Aire frío by Virgilio Piñera, and Entremeses japoneses by Yukio Mishima.

In early 2001 she arrived in the United States, where she worked in television and theater, with sporadic appearances in film.