Sewell Stokes, a friend of the dancer towards the very end of her life when she was penniless and alone, wrote a memoir of his conversations with her, shortly after her death, entitled Isadora, an Intimate Portrait (1928).
Russell's biographer Joseph Lanza believes that "of all his television work, Isadora is his most accomplished".
It explores his "ongoing theme of art being a thing of both glory and vulgarity"[2] Bill Gibron from DVD Talk gave the film a positive review and stated: "Herself trained as a dancer, Pickles lights up the screen when she's onstage, Duncan's inflated ego disappearing into a series of carefully choreographed interpretations.
"[3] Michael Brooke, in his article for the BFI's Screenonline website describes Pickles' performance as a "gloriously vulgar incarnation".
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