Isidore Bethel

[4][5] The films he edits, directs, and produces use filmmaking to make sense of overwhelming experiences and touch on recurrent themes of displacement, sexuality, aging, trauma, grief, therapy, and art-making.

[9][10][11] Films he has edited have screened at Cannes, SXSW, and the Berlinale, in museums such as the Museum of Modern Art, the Beirut Art Center, and the Pompidou Center, and on broadcast platforms such as POV, The New York Times' Op-Docs, and Netflix.

[12][13][14][15] He has worked in France, Mexico, and the United States with directors such as Dominique Cabrera, Jean-Xavier de Lestrade, Juan Pablo González, Laurent Bécue-Renard, Juan Manuel Sepúlveda, Arturo González Villaseñor, Daniel Hymanson, and Iliana Sosa.

[24][25][26][27][28] He acts as a producer on many of the films that he edits, which have received support from the Sundance Institute, the Ford Foundation, Field of Vision, the CNC in France, and Mexico's IMCINE and FONCA funds.

"[34][35][36][37] A graduate of Harvard University, the École Normale Supérieure, and the School of the Art Institute of Chicago, Bethel has received funding from the Institut Français, France's Île-de-France region, the Jean-Luc Lagardère Foundation, and the Jack Kent Cooke Foundation as well as support from Berlinale Talents, the Tribeca Film Institute, the Villa Medici, the Gotham, Film Independent, the Logan Nonfiction Program, and Eurodoc.