Wonder collaborated on the song with Harlem songwriter and studio owner Burnetta "Bunny" Jones.

A recording of Wonder bathing Aisha as an older toddler is brought into the final section of the song, mixed with Wonder's extended chromatic harmonica solo.

During the recording process, bassist Nathan Watts laid down a bass guitar line to serve as a guide track for Wonder, but Wonder eventually replaced this with his own keyboard bass performance.

[2] Even without a single release, the song received so much airplay that it reached number 23 on the Adult Contemporary chart in January 1977.

[4] The song was not issued as a commercial single and therefore it did not appear on the major charts in the US and UK.