His work is held by the Hungarian National Gallery, the Thorma János Múzeum, regional museums and private collectors.
[2] In February 2013, it opens a major retrospective of more than 100 pieces of János Thorma's work, drawing from numerous institutions and private collectors in Europe.
In 1896 he was one of the founders of the Nagybánya artists' colony, whose members included Simon Hollósy, Károly Ferenczy, and István Réti, who achieved international recognition.
[5] As a young man, Thorma felt that naturalism offered him too little to achieve his goals as a painter, and he was inspired by German romanticism (as shown in his The Bereaved, 1892) and French classicism (The Martyrs of Arad, 1893–94).
In 1897, following a long trip to Western Europe, Thorma painted several Biblical subjects, including Békesség veletek – "Pax vobiscum", which show the influence of Rembrandt.
He also was inspired by the French painter, Paul Gauguin, as shown in Húsvéti kenyérszentelés (The Blessing of the Bread) and Templombamenők (People Going toward Church), both ca.
[1] After the Treaty of Trianon, when the Nagybánya region was incorporated to the Kingdom of Romania, only Thorma remained in the town; the other Hungarian painters left.
In collaboration with other institutions, the Hungarian National Gallery has organized a major retrospective of Thorma's work, consisting of more than 100 pieces.