János Vető

He deals with digital image making, writes lyrics and music, sings, and plays the ukulele and the kaossilator.

[5][6] "...his photographic work that radically challenged the conventions of portraits, self-portraits, and nudes..."[7] Vető collaborated with the body artist Tibor Hajas.

[9] These works were featured in the Central Pavilon, Giardini at the 57th Venice Biennale at the invitation of the chief curator, Christine Macel.

[10] Vető founded "postmodernist social-impressionist neo-barbaric"[11] art with painter Lóránt Méhes Zuzu[12][13] in 1981.

Stones, bones and transistors were applied on their sculptures (Űrkőkorszaki szoborportrék/Cellar Statue portraits from the Space-Stone Age), and they named their extremely colourful installations made by using blue vitriol and powder paint as "gardens" (Űrkőkorszaki pinceszoborkert/Basement Sculpture Garden from the Space-Stone Age, 1982, Szentendre, Vajda Lajos Studio).

Each of their solo exhibitions is an installation that consists of their works and impromptu sculptures, their personal belongings as well as found objects (Tibeti Őszi Tábor/Tibet Autumn Camp, 1981, Budapest, Young Artists Club; Új zászlók, új szelek/New Flags, New Winds 1983, Budapest, Young Artists Club).

[15] One of his favorite materials is the bubble wrap used for packaging that he adopts as a base for paintings, sculptures, photos and videos.

[16][17] In the summer of 2018 Vető created the Jó idő (Good Time) album with the members of the band Balaton.