[1] The album was produced by Jamie Hsueh, Jack Chou, Bing Wang, and Adia, blending elements of pop music with hip-hop, electronic, old-school, disco, and Chinese-style sounds.

Tsai stated that she hoped to complete three songs before the Chinese New Year and that the album would continue to feature fast-paced dance tracks.

"[15] Additionally, Tsai mentioned that the record label had invited Jay Chou to write for the album, but that she had not yet received any songs from him.

[16] On February 26, 2005, it was revealed that Jay Chou had written a fast song for Tsai's album, though the record label was still considering whether to include it.

Its playful opening monologue and catchy prelude, combined with a rhythm reminiscent of video game music, create a lively and joyful atmosphere throughout the song.

[25] The lyrics convey the idea of surviving the adventures of love and life,[26] with the title inspired by the film Jumanji (1995), and incorporates numerous animal names to symbolize the various roles people unknowingly play in their lives.

[27] To accurately capture the song's spirit and style, Tsai experimented with different vocal scales during the recording process, seeking the most playful interpretation of the track.

I wasn't sure how to sing it, but after carefully reviewing the entire song, I realized it's about how life is like a J-Game, and everyone is searching for their own way to survive in the jungle, so we must be brave enough to try anything.

The song begins with a gradual piano progression that evolves into a powerful musical piece, paired with Tsai's steady and rich vocal emotions, making it deeply moving.

"Sweet and Sour" features clean, crisp guitar strings, with a bright interlude that mirrors the bittersweet moments of love, slowly fermenting into various emotions of joy and sorrow.

"Hunting Cupid" showcases Tsai's delicate yet powerful vocal style, paired with a strong, punchy rock rhythm that expresses a vigorous and determined defense of love.

[2] To convey the adventurous and bold spirit of creativity from the music into everyday life, the album takes "Game" as its starting point.

[2][28] These three concepts each represent a distinct musical style in the album: upbeat dance tracks, mid-tempo love songs, and whimsical soundscapes.

"Jisco-Game" embodies energetic dance songs, combining elements of hip-hop, electronic music, old-school vibes, and disco spirit.

"Jissing-Game", derived from the notion of longing, expresses various emotions within love—missed connections, sadness, self-growth, and the courage to face life's challenges.

"Jancy-Game" showcases a world of imagination with its unique arrangements and playful rhythms, creating fresh and inventive musical expressions.

[30] For the album pre-order cover, Tsai wears a custom-made deep blue gown designed by Chen, adorned with star and flower appliqué at the hem, presenting an opulent and fashionable aesthetic.

[31] On December 20, 2005, media outlets reported that Tsai's contract with Sony BMG had expired earlier in February of the same year.

To create a contrast between reality and the fantastical world of the game, the video was largely animated, with vibrant scenes blending seamlessly with footage of Tsai performing an energetic dance by the water.

The directors designed a surreal scene featuring simulated flowers, and a helicopter was used to guide Tsai through both virtual and real worlds.

[49][33] The music video for the song "Sky" was directed by JP Huang and filmed at the Qingtiangang Grassland in Yangmingshan National Park, Taipei.

In addition to constructing a traditional Chinese-style alley and archway set, a movie art team was brought in to design an ink-wash painting animation as the backdrop.

The song's composer, Wang Leehom, also served as the creative consultant for the music video, offering numerous suggestions, including the use of Chinese-style scenes, slow-motion cinematography, the incorporation of the erhu and guzheng, and smoke effects.

In the video, Tsai wears light makeup and holds a diary, reading the sweet promises made when in love, while erasing those memories one by one with correction fluid.

[53][54] On April 16, 2005, Sony BMG announced that on the first day of pre-orders, the album's pre-sale volume in Taiwan exceeded 15,000 copies.

Jamie Hsueh's production dominates this album, and while the first-time collaboration with Wang Leehom is fresh, it hasn't had the same impact as her previous work with Jay Chou.

Additionally, Adiai's debut as a producer on Jolin's album didn't spark the same chemistry as their later collaborations, with the track "Sky" being a rather standard offering.

While each song is a replica of the successes from her previous two albums, and although each track is meticulously produced, it lacks that spark of brilliance that comes from truly talented artists.

"[26] He Yajia from New Express commented: "The new album incorporates elements like hip-hop, electronic music, old school, and retro disco to create a so-called unique 'Jisco' style.

The music is more intense, with faster rhythms, and the attempt to erase the influence of Jay Chou in the details seems to fail in highlighting Jolin.