Jaan Kross

Born in Tallinn, Estonia,[2] son of a skilled metal worker, Jaan Kross studied at Jakob Westholm Gymnasium,[3] and attended the University of Tartu (1938–1945) and graduated from its School of Law.

In 1940, when Kross was 20, the Soviet Union invaded and occupied the three Baltic countries: Estonia, Latvia and Lithuania; imprisoned and executed most of their governments.

[citation needed] Because of Kross' status and visibility as a leading Estonian author, his works have been translated into many languages, but mostly into Finnish, Swedish, Russian, German, and Latvian.

[7] This is on account of geographical proximity but also a common history (for example, Estonia was a Swedish colony in the 17th century and German was the language of the upper échelons of Estonian society for hundreds of years).

Also well-translated is Professor Martens' Departure, which because of its subject matter (academics, expertise, and national loyalty) is very popular in academia and an important "professorial novel".

The later novel Excavations, set in the mid-1950s, deals with the thaw period after Stalin's death as well as with the Danish conquest of Estonia in the Middle Ages, and today considered by several critics as his finest, has not been translated into English yet; it is however available in German.

The Wikman Boys (Wikman being based on his alma mater the Westholm Grammar School – both names are of Swedish origin) a similar sort of novel about his university chums, Mesmer's Circle / Ring; the novel Excavations which describes Kross' alter ego Peeter Mirk and his adventures with archaeology, conformism, revolt, compromise and skulduggery after he has returned from the Siberian labour camps and internal exile out there.

The reader will note that every protagonist or narrator, from Timotheus von Bock in The Czar's Madman to Kross' two alter egos, Jaak Sirkel and Peeter Mirk in the semi-autobiographical novels, indulges in this.

Another common feature of Kross's novels is a comparison, sometimes overt but usually covert, between various historical epochs and the present day, which for much of Kross' writing life consisted of Soviet reality, including censorship, an inability to travel freely abroad, a dearth of consumer goods, the ever-watchful eye of the KGB and informers, etc.

During the last twenty years of his life, Jaan Kross occupied some of his time with writing his memoirs (entitled Kallid kaasteelised, i.e. Dear Co-Travellers – this translation of the title avoids the unfortunate connotation of the expression fellow-travellers).

The second volume continues from when he moved into the flat in central Tallinn where he lived for the rest of his life, plus his growing success as a writer.

This tragic novel is based on the life of a Baltic-German nobleman, Timotheus von Bock (1787–1836), who was an adjutant to the relatively liberal Czar of Russia, Alexander I.

Von Bock wishes to interest the Czar in the idea of liberating the serfs, i.e. the peasant classes, people who were bought and sold almost like slaves by rich landowners.

Von Bock is released when the next Czar ascends the throne, but by that time he is having mental problems during his last years under house arrest.

In early June 1909, the ethnic Estonian professor, Friedrich Fromhold Martens (1845–1909) gets on the train in Pärnu heading for the Foreign Ministry of the Russian Empire in the capital, Saint Petersburg.

This novel is about the ethnic Estonian Bernhard Schmidt (1879–1935) from the island of Naissaar who loses his right hand in a firework accident during his teenage years.

Later on, when living in what had become Nazi Germany, he himself invents large stellar telescopes that are still to be found at, for instance, the Mount Palomar Observatory in California and on the island of Mallorca.

But because Germany was the leading technical nation at the time, he feels reasonably comfortable there, first in the run-down small town of Mittweida, then at the main Bergedorf Observatory just outside Hamburg.

This collection contains six semi-autobiographical stories mostly dealing with Jaan Kross' life during the Nazi-German and Soviet-Russian occupations of Estonia, and his own imprisonment during those two epochs.

The idea started out as a film script, which was shelved, then became a TV serial, and finally the four-volume suite of novels which is one of Kross' most famous works.

The second story tells of an ethnic Estonian Michelson who will now be knighted by the Czar as he has been instrumental in putting down a rebellion in Russia; this is the story of his pangs of conscience, but also how he brings his peasant parents to the ceremony to show his origins (Michelson's Matriculation) The third story is set in around 1824, and about the collator of Estonian folk literature Friedrich Reinhold Kreutzwald who, after passing his exams, does not want to become a theologian but wants to study military medicine in Saint Petersburg, then the capital of the Russian Empire; meanwhile, he meets a peasant who can tell him about the Estonian epic hero Kalev, here of the epic Kalevipoeg (Two Lost Sheets of Paper).

[20] The Wikman Boys (Wikmani poisid; 1988) Jaan Kross' alter ego Jaak Sirkel will soon matriculate from school in the mid-1930s.

After the war has reached Estonia, some of Sirkel's schoolmates end up in the Soviet Army, and others fighting in the Nazi German military – the tragedy of a small country fought over by two superpowers.

Excavations (Väljakaevamised; 1990) This novel first appeared in Finnish as the political situation in Estonia was very unclear owing to the imminent collapse of the Soviet Union.

It tells the story of Peeter Mirk (another of Kross' alter egos) who has just returned from eight years of labour camp and internal exile in Siberia and is looking for work, in order to avoid being sent back, labelled as a "parasite to Soviet society".

There he finds a manuscript written in the 13th century by a leprous clergyman, a document which could overturn some of the assumptions about the history of Estonia that the Soviet occupier has.

[21] Elusiveness (Tabamatus; 1993) In 1941, a young Estonian law student is a fugitive from the occupying German Nazis, as he is suspected of being a resistance fighter.

But what the German occupiers dislike especially is that this young law student is writing a work about the Estonian politician and freedom fighter Jüri Vilms (1889–1918) who was obliged to flee from the Germans back in 1918 (during another period of Estonia's tangled history) and was shot by firing squad when he had just reached Helsinki, around the time that Estonia became independent of Russia.

[22] Mesmer's Circle (Mesmeri ring; 1995) Another novel involving Kross' alter ego, Jaak Sirkel, who is by now a first-year student at Tartu University.

Indrek's father performs a strange ritual with several people standing around the dining table and holding hands – as Franz Mesmer did with his patients.

Jaan Kross in 1938
Kross and German translator Cornelius Hasselblatt in Hamburg, October 1985