The character was written out at the end of the 2006 series, along with Rose, in a storyline which sees them trapped in a parallel universe where Jackie forms a new relationship with an alternate version of her deceased husband Pete Tyler.
In reviving the television series after a sixteen-year hiatus (1989–2005), executive producer Russell T Davies was keen to provide a believable background for the Doctor's companion and a context for her travels to the past and future.
It is shown that whilst Rose was a child (Julia Joyce) Jackie told her idyllic stories of her deceased father, Pete (Shaun Dingwall).
[5] In the 2005 series finale, "The Parting of the Ways", Jackie is glad to have Rose home after the Doctor returns her to the 21st century from the far future in order to protect her.
This version of Jackie is intent on maintaining a facade; she hides the fact her marriage is deteriorating, denies turning forty and chastises Rose for speaking to her whilst posing as staff.
[13] In the series four finale episode "Journey's End" (2008), Jackie returns to her original earth with Mickey in order to find Rose, who has travelled back to stop the Daleks destroying reality.
Comfortable carrying a large gun, Jackie blows up a Dalek to save former companion Sarah Jane Smith (Elisabeth Sladen).
[19] Released the same month, The Feast of the Drowned by Stephen Cole, is set wholly on contemporary earth and explores the context of Jackie's relationship with Rose further.
Coduri featured in the Ninth Doctor Chronicles alongside Piper and Adam Mitchell (Bruno Langley), where she is manipulated into helping sell a new fad that turns out to be a tool of an alien invasion.
[citation needed] In creating Rose as a new companion for the 2005 revival of Doctor Who executive producer and lead writer Russell T Davies felt that it would be necessary to examine the questions of "do her family miss her?"
Davies created Jackie and Mickey and provided a story structure that would see Rose return frequently to them in order to make her "real" and to "give her a life".
[24] The roles of Jackie and Mickey were cast alongside other guest characters for the 2005 series' first production block including Joseph Green and Indra Ganesh from "Aliens of London" and "World War Three".
[24] Camille Coduri was suggested to casting director Andy Pryor and the other members of the production team by executive producer Mal Young.
[27] In the Journal of Commonwealth Literature Lindy A. Orthia observes that the "giro-collecting" Jackie is part of the group of companions introduced in Davies' era of Doctor Who that are "drawn from a cosmopolitan vision" in that they are all "black, queer and/or working class."
Orthia contends that whilst working-class companions had featured previously in the show "none were unskilled workers nor chronically under- or unemployed like Rose, Donna and Jackie.
[29] Discussing Jackie's attempted seduction of the Doctor, Coduri stated that her character "has the hots for him" and in general "loves the company of men and is always looking for Mr Right".
[26] Promoting her role in the 2005 Christmas special, Coduri describes Jackie as being "not very good in a crisis" and "a bit of a screamer" in contrast to Rose who is adept at saving the world.
[33] Davies had planned for the character to return in the fourth series finale since the episodes were first conceived and had asked Coduri to keep four weeks free for filming.
Eventually, he decided to pair the character with Mickey and Sarah Jane and reasoned that seeking her daughter provided enough motivation for her to get involved in the conflict.
[36] James Chapman, author of the book Inside the Tardis: The Worlds of Doctor Who, identifies the presence of Jackie and Mickey as part of Davies attempt to "create a social context" for Rose.
identify Jackie's "because it's hard" speech as "Coduri's best acting in the series, bar none" opining that the actress "infuses her scenes with comic brilliance, wistful reflection and raw anger, all in the space of several minutes".
"[45] In his review of "Army of Ghosts" Arnold T Blumberg, writing for Now Playing magazine, observes that the character "gets to be a companion for a little while" and "does a damn fine job of it too.
list the simultaneous reunion and first meeting between Jackie and Pete in "Doomsday" as one of the episode's poignant moments, stating that the scene "sings joyously" through the performances of Coduri and Dingwall.
[45] Commenting on Jackie's involvement in "Journey's End" Travis Fickett observed that having the Doctor tell her to stay away from the TARDIS console was "a fun moment", although he felt that having so many characters present in the episode was "a bit awkward.
[48] Reviewers also compared the character of Donna Noble's mother, Sylvia (Jacqueline King), who featured semi-regularly during the fourth series, against Jackie.