He introduced Renaissance architecture to France with the assistance of Pierre Lescot, Philibert Delorme and Jean Bullant.
In 1569, under the pressures of the French Wars of Religion, Jacques I Androuet du Cerceau fled to the Huguenot stronghold of Montargis, the seat of Renée de France, duchess of Ferrara, daughter of Louis XII; the château featured strongly in his best-known work, the folio volumes of Les plus excellents bastiments de France (1576, second volume 1579).
His fine engravings of French châteaux and the perspective views of their gardens— which he documented but did not design— and his extravagantly fanciful suites of engravings of decorative architectural elements and furniture, heavily loaded with sculptural ornament, were especially influential for the designers and luxury craftsmen of Antwerp, working in the style broadly called Northern Mannerism.
Though documentation is lacking, and attribution to the author of a widely used patternbook is generally risky, he is credited with the designs of the châteaux of Verneuil, in Verneuil-en-Halatte, which was later purchased by Henri IV in 1600, and Charles IX's château of Charleval (demolished), where he was assisted by his son Baptiste.
[1] In the years after 1906, the detailed bird's-eye-view perspective engravings of Jacques Androuet enabled the patterned parterres of the Château de Villandry to be restored to their 16th-century appearance.