Jacques Villeglé, born Jacques Mahé de la Villeglé (27 March 1926 – 6 June 2022)[1] was a French mixed-media artist and affichiste famous for his alphabet with symbolic letters and decollage with ripped or lacerated posters.

His work is primarily focused on the anonymous and on the marginal remains of civilization.

Working with fellow artist Raymond Hains, Villeglé began to use collage and found/ripped posters from street advertisements in creating Ultra-Lettrist psychogeographical hypergraphics in the 1950s, and in June 1953, he published Hepérile Éclaté, a phonetic poem by Camille Bryen, which was made unreadable when read through strips of grooved glass made by Hains.

In February 1954, Villeglé and Hains met the Lettrism poet François Dufrêne, and this latter introduced them to Yves Klein, Pierre Restany, and Jean Tinguely.

In 1958, Villeglé published an overview of his work on ripped posters, Des Réalités collectives, which is to a certain degree a prefiguration of the manifesto of the New Realism group (1960) which he joined at its inception.