Largely self-educated at night schools, he worked some time as a clerk and became private secretary and speechwriter to Sir Daniel Dixon, 1st Baronet, the Lord Mayor of Belfast.

He had a lifelong interest in the paranormal and acted as reporter in several experiments carried out by William Fletcher Barrett, Professor of physics at Trinity College Dublin and one of the founders of the Society for Psychical Research.

[3] Cousins produced several books of poetry whilst in Ireland as well as acting in the first production of Cathleen Ní Houlihan (under the stage name of H. Sproule) with the famous Irish revolutionary and beauty Maud Gonne in the title role.

He gave the William Miller Memorial Lectures at Madras in 1938 on "The Idea, Expression, and Fulfillment of Beauty," and he was the person who brought change into the life of poetry of the Great Renowned Kannada Poet and Writer Kuvempu.

Taking the impression it creates for a starting-point and the trend of English poetry for our main text, but casting our view farther back into the past, we may try to sound what the future has to give us through the medium of the poetic mind and its power for creation and interpretation.

That possibility is the discovery of a closer approximation to what we might call the mantra in poetry that rhythmic speech which, as the Veda puts it, rises at once from the heart of the seer and from the distant home of the Truth, — the discovery of the word, the divine movement, the form of thought proper to the reality which, as Mr. Cousins excellently says, " lies in the apprehension of a something stable behind the instability of word and deed, something that is reflection of the fundamental passion of humanity for something beyond itself, something that is a dim foreshadowing of the divine urge which is prompting all creation to unfold itself and to rise out of its limitations towards its Godlike possibilities.