James Pradier

He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808.

He was a friend of the Romantic poets Alfred de Musset, Victor Hugo, Théophile Gautier, and the young Gustave Flaubert.

Due to her numerous lovers and her complicated financial lfe, Louise Pradier was among the inspirations for Flaubert when he wrote Madame Bovary.

[3] The cool neoclassical surface finish of Pradier's sculptures is charged with an eroticism that their mythological themes can barely disguise.

When the prudish government of Louis-Philippe refused to purchase it, Count (later Prince) Anatoly Nikolaievich Demidov bought it and took it to his palazzo in Florence – though many years later it would finally be on display in France, part of the Louvre's collection.

Bust of Pradier by Eugène-Louis Lequesne , from his tombstone
James Pradier
Jean-Baptiste Marie Fouque , Portrait of Pradier, 1848.
Sappho at a column , 1884, Mougins Museum of Classical Art
Satyr and Bacchante (1834)
The Allegorical figure of Industry (1851), Paris, Palais Brogniart
Memorial bust of the duc d'Orléans , 1842 (Louvre Museum)
Victories surrounding Napoleon's tomb , Les Invalides
The Toilet of Atalanta (photographed by Philip Henry Delamotte ca. 1859)