James Smetham (9 September 1821 – 5 February 1889) was an English Pre-Raphaelite Brotherhood painter and engraver, a follower of Dante Gabriel Rossetti.
[1] Smetham was born in Pateley Bridge, Yorkshire, and attended school in Leeds; he was originally apprenticed to the Lincoln architect Edward James Willson before deciding on an artistic career.
Other Smetham articles for the Review were "Religious Art in England" (1861), "The Life and Times of Sir Joshua Reynolds" (1866), and "Alexander Smith" (1868).
Smetham's letters, posthumously published by his widow,[5] throw light upon Rossetti, John Ruskin, and other contemporaries, and have been praised for their literary and spiritual qualities.
His surviving journals and notebooks show that Smetham practised an almost stream of consciousness type of writing that he called "ventilating," as a method of religious self-analysis.