After great success following his debut in Vienna, and in London (where he first appeared at a Hans Richter concert in 1900[1]), Kubelík toured in the USA in 1901[1] for the first time.
The Gramophone Company recorded him as accompanist to Dame Nellie Melba in 1904, a match which reflected the classical phrasing, tonal purity and security of his art and was an ideal complement to it.
He wrote music, including six violin concertos, and continued to perform in public until his death, with a pause between the end of World War I and 1920, during which period he composed.
He is not a deeply moving player; he has not the power of touching profoundly and immediately the hearts of his listeners nor of laying hold of the inner mystery of the greatest music.
There is something of feminine grace and charm in Mr. Kubelik's playing, and he seldom compels by its authority or stirs by its passion and virility, but in its way it is wholly delightful.
Source: J.R. Bennett, Dischi Fonotipia Numerical Catalogue - A Golden Treasury (J. Dennis/Record Collector Shop, Ipswich 1953).