If I painted someone else they could accuse me of the lack of resemblance since I got the picture and the man whose portrait I had made wouldn't be there for them to see him immediately.

Scenes are mainly presented in a rural landscape; they possess bright colorization, without explicitly expressed focus.

With almost six decades of fruitful work Janko Brašić will remain the symbol of naïve art in Serbia and Oparić will be widely famous as his homeland...".

His first group exhibition was organized in 1935 by the Association of Serbian Artists in the Cvijeta Zuzorić Art Pavilion in Belgrade.

The greatest collection of his paintings is at Museum of Naïve and Marginal Art (MNMA), Jagodina, Serbia.