His first novel, Galceran l'heroi de la guerra negra (1978) brings up the recurrent subjects of his work: power and the human condition.
In the second novel, Carn d'olla (1978), a very different character stands out, Barringa Barranga, an ex-prostitute who has established a network of relationships in the Barcelona neighborhood of Sant Antoni.
In El mirall i l'ombra (The mirror and the shadow—1980) music appears for the first time and, in a certain way, the reflection on the value of artistic creation, which will be constant subjects of his work from this point forward.
In 1980 he published a work of juvenile fiction, the novel La història que en Roc Pons no coneixia and a year later, the short story El blauet.
In 1985 the final chapter of the Freixes Cycle Luvowski o la desraó was published as a novelette, in a larger collection of short stories: Llibre de preludis, in which music plays an even more prominent role.
The following year, 2001, he published and performed for the first time in the Teatre Nacional de Catalunya, with the play Pluja seca, in which he wrote about forgery of the historical memory and about the fact that history is written by the victors.
Les veus del Pamano (2004) begins in the forties, in a little village at the foot of the Catalan Pyrenees, Pallars Sobirà, and it continues to the present day, with a parade of characters like the teachers Oriol Fontelles and Tina Bros, or the woman Elisenda Vilabrú.
In it, the author reflects on the concept of evil throughout human history through the life of a cultured and intelligent main character born in post-Civil War Barcelona.