Javanese culture

Due to various migrations, it can also be found in other parts of the world, such as Suriname (where 15% of the population are of Javanese descent), the broader Indonesian archipelago region,[1] Cape Malay,[2] Malaysia, Singapore, Netherlands and other countries.

The migrants bring with them various aspects of Javanese cultures such as Gamelan music, traditional dances[3] and art of Wayang kulit shadow play.

It is the source of the motto of Indonesia, Bhinneka Tunggal Ika, which is usually translated as Unity in Diversity, although literally it means '(Although) in pieces, yet One'.

The Majapahit empire religious tolerance in their society can be summed as Bhinnêka tunggal ika tan hana dharma mangrwa ('They are indeed different, but they are of the same kind, as there is no duality in Truth').

Islam first came in contact with Java during Majapahit periods, when they traded or made tributary relations with various states like Perlak and Samudra Pasai in modern-day Aceh.

[8] The introduction of Islam to the island by the new Muslim monarchs was not always peaceful however, Javanese nobles and peasants who rejected the new rulers were either conquered or fled to neighboring Bali where they contributed heavily to the Balinese Hindu religion and culture.

Some Hindus who remained in Java retreated themself to more remote area such as Tenger near the Mount Bromo to avoid proselytization.

Kebatinan are principles embodying a search for the inner self but at the core is the concept of the peace of mind, connection with the universe, and with an Almighty God.

Although Kebatinan is not strictly a religious affiliation, it addresses ethical and spiritual values as inspired by Javanese tradition.

Many traditional Javanese customs or festivals such as meditation, slametan, naloni mitoni, patangpuluhdinanan, nyatus and nyewu have their roots in the Kebatinan belief.

Grebeg Maulud is a traditional ceremony held by the royal court of Keraton Surakarta and Jogjakarta, to commemorate the birth of Islam's holy messenger, Muhammad.

Following the circumcision it is customary to sacrifice a goat, hold a slametan and wayang kulit (shadow puppet) performance.

The American anthropologist Clifford Geertz in the 1960s divided the Javanese community into three aliran or "streams": santri, abangan and priyayi.

It was also difficult to apply this social categorisation in classing outsiders, for example other non-indigenous Indonesians such as persons of Arab, Chinese and Indian descent.

The Keratons, the royal palaces of the Yogyakarta Sultanate and the Surakarta Sunanate, are the central of the Javanese culture and social events.

When addressing to the Sultan, a person is expected to speak in the refined "kromo inggil", but today formal bahasa Indonesia is also accepted.

[13] These officers traditionally didn't get paid in cash, but allotted a portion in the village's public land to be farmed, called tanah bengkok.

[14] As literacy rate was low before independence, it is customary for the rival candidates to use common items as their campaign symbol, such as fruits, vegetables or traditional foods.

Culturally, Javanese people adopt a bilateral kinship system,[15][16] with male and female descendants having equal importance.

Javanese blacksmiths provide a range of tools such as farming equipment and to cultural items such as gamelan instruments and kris.

The Javanese bronze breech-loaded swivel-gun, more correctly known as a meriam was used ubiquitously by the Majapahit navy and unfortunately pirates and rival lords.

The demise of the Majapahit empire also cause the flight of disaffected skilled bronze cannon-smiths to Brunei, modern Sumatra and Malaysia, and the Philippines lead to near universal use of the swivel-gun, especially on trade vessels to protect against prevalent marauding pirates, in the Makassar Strait.

[23] Keris is an important item, with many heirloom kris made by master blacksmiths holding significant historical value.

The Javanese art of wood carving is traditionally applied to various cultural attributes such as statues, (wayang-)dolls, and masks.

Throughout their long history, the Javanese have produced many important buildings, ranging from Hindu monuments, Buddhist stupa, mortuary temples, palace complexes, and mosques.

Meanwhile, example of secular building can be seen in ruins of former capital city of Majapahit Kingdom (14th to 16th century AD) in Trowulan, East Java.

It consists of various brick building, ranging from 20 to 40 meter-wide canal, purification pools, temples and iconic split gates.

Famous food in Javanese cuisine is for example Rujak Cingur,[32] a marinated cow lips and noses, served with vegetable, shrimp prawn and peanut sauce with chili.

Gudeg is a traditional food from Yogyakarta[33] and Central Java which is made from young nangka (jack fruit) boiled for several hours with palm sugar, and coconut milk.

[37] Traditionally, Tumpeng is served alongside fried chicken, boiled egg, vegetables, goat meat on a round plate made from bamboo called besek.

The Yogyakarta sultanate palace 's main pavilion
The five Pandawa brothers from the Hindu epic Mahabharata, narrated in the Javanese Wayang kulit .
Grebeg Maulud at Surakarta
Javanese priyayi and servants, c. 1865.
Village in the slope of Mount Semeru , East Java . Colonial period painting.
A decorative kris with a figure of Semar as the handle. The bilah has thirteen luk .
Javanese woodworkers making traditional masks during the Dutch East Indies era.
A traditional Javanese house from Kudus
Candi Plaosan in Prambanan (9th century).
Example of Javanese cuisine. Clockwise: fried tempeh , mlinjo crackers , gudeg with rice wrapped in teak leaf, green chili sambal and sliced lime .
Tumpeng , a quintessential Javanese rice dish that symbolizes a volcano.