Punk jazz

Late 1970s New York no wave bands broke with blues rock-influenced punk in a style that instead combined elements such as free jazz noise, experimental drone rock, and other avant-garde influences.

[4] Examples of this style include Lydia Lunch's album Queen of Siam, the work of James Chance and the Contortions, who mixed funk with free jazz and punk rock.

[7] The Birthday Party's sound on Junkyard (1982) was described by one journalist as a mix of "no-wave guitar, free-jazz craziness, and punk-processed Captain Beefheart angularity".

[9] Guitarist Joe Baiza executed his blend of punk and free jazz with Saccharine Trust and in Universal Congress Of, a group influenced by the work of Albert Ayler.

The Nation of Ulysses had Ian Svenonious alternating between vocals and trumpet, and their complex song structures, odd time signatures, and frenetic live shows were as much hardcore punk as they were free jazz.

[14] Jazzcore is a subgenre that incorporates elements of hardcore punk and heavy metal music alongside typical jazz instrumentation and improvisation.