Recognition came later, in the same year, with Le Souper [fr], a theatre play featuring Joseph Fouché and Charles-Maurice de Talleyrand-Périgord during an evening in 1815 when they decided together to impose a monarchical regime on invaded France.
The son of an industrialist[1] installed at Asnières,[2] Jean Claude Brisville, fed during his adolescence of the novels by José Moselli [fr],[2] began his professional life at the Liberation of France as a literary journalist.
[2] In 1964, after he became a literary director, he made Ernst Jünger known in France by publishing a new edition of the "Journal de guerre", thanks to the determination of Christian Bourgois [fr] In 1970, he established a lasting friendship with Julien Gracq who accepted the adaptation he wrote for the television production that Jean-Christophe Averty did of the Beau Ténébreux.
His dismissal in 1981 at the age of sixty, made him reconnect with his pen and settle his accounts with the medium of publishing in the form of a satirical piece, Le Fauteuil à bascule[1] where an editor is opposed to an avid boss.
Starting in 1997, he began a work of "anamnesis"[2] "Not to be alien to oneself"[2] which he published, faithful to existentialism, in the form of fragments of the past which related less to his person than to their times,[2] memories mixed with aphorisms with pessimistic humor.