Jean-Désiré Ringel d'Illzach

He was a pupil of François Jouffroy and Alexandre Falguière at the École des Beaux-arts in Paris[1] and was best known for his medallions, made of diverse materials (bronze, terracotta, stoneware and glass paste), portraying a vast array of the notable artistic, literary, political and scientific figures of his time.

He never ceased to experiment with new processes for casting metals, incorporating new materials and developing ways to apply color.

Much of his work was inspired by music, including a series of nine allegorical statues representing the symphonies of Beethoven.

A polychrome statue, depicting the Rákóczy March from La damnation de Faust by Hector Berlioz, was the centerpiece of his exhibit at the 1897 Venice Biennial.

[3] Some of its decorative cast-iron work, including masks and highly stylized seahorses, adorn balconies and walls of Hector Guimard's Castel Béranger (1895-1898).

Ringel d'Illzach (1903). Anthropometric photograph by Alphonse Bertillon