Jean-François Raffaëlli

[2] Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style.

Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which: led him to articulate a theory of realism that he christened caractérisme.

He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature.

"[3] An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco).

[4] After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics.

Portrait of Jean Francois Raffaelli in 1895
Jean-François Raffaëlli in his Paris studio.
Jean-François Raffaëlli, At the caster's , 1886, oil on canvas, 128 x 116 cm, Musée des Beaux-Arts, Lyon
Painting by Jean-Francois Raffaëlli entitled A Ragman Lighting His Pipe