She garnered a degree of national recognition by posing for series of postcards which helped spread her image across France.

[3] In 1909, she was chosen by French film director Michel Carré to appear in her first screen role in La peur (English title: Fear) opposite Henri Desfontaines.

At Éclair she appeared in a number of well regarded films, including the Charles Krauss adaptation of Honoré de Balzac's Trompe-la-Mort (1913).

[6] After the war, Jeanne Bérangère returned to the screen in Lucien Lehmann's Chimera (1918) alongside Edmond Van Daële, followed by two films by Marcel L'Herbier: L'homme du large (1920) and El Dorado (1921).

She would spend her remaining years working in films for: Germaine Dulac, Victor Tourjansky, Yakov Protazanov, Raymond Bernard, André Hugon, Gaston Ravel, and Louis Mercanton.