In 2014 he and Lili White completed a 40-minute video about a community garden issue that documented his eponymous performance The Key Ceremony.
He is also a long-time member of Brevitas, a community of invited poets who email short poems to each other and publish a periodic selection.
A selection of the postcards were included in the book A Secret Location on the Lower East Side, and were displayed at New York Public Library.
From 1986 until 2001 Wright published 80 issues of Cover Magazine, The Underground National, [3] with the help of estimable artist and writer contributors including Timothy Greenfield-Sanders, Steve Mumford, Sue Scott, Judd Tully, and John Yau.
The magazine covered a broad range of arts and culture, profiling many important artists in advance of their heyday.
Live Mag in 2007 in response to an invitation from Bob Holman to create an event at the Bowery Poetry Club.
In 2010, his visual and performance work was the subject of the solo, participatory exhibit The Good Outlaw at AC Institute.
[6] Wright showed collages in "Paper View," a two-person exhibit with sculptor Ga Hae Park at Tribes Gallery in 2011.
Savitra D., Bob Holman, and others participated in readings and events associated with the December two-week show of protest posters.
[7] Steve Dalachinsky in reviewing the volume in the Brooklyn Rail writes "Jeff Wright’s book of sonnets, Triple Crown (Spuyten Duyvil), replete with Wright’s collages, offers us a panoramic peek into the sometimes-hyper brain of a mad poet.
"[8] And among the accolades for Triple Crown,[9] in Rain Taxi, "While most contemporary New York School poetry seems aimed at like-minded, coterie hipsters, Wright’s poems ostensibly are directed (as were Shakespeare’s sonnets) to a single ear.