Nowadays, the Sisters of Bethlehem, of the Assumption of the Virgin, and of Saint Bruno continue the long Roman Catholic monastic and spiritual tradition that had been carried on more than five centuries by the Carthusian fathers.

This work, begun in 1571 by Jerezan architect Andrés de Ribera, conforms to the purest canons of Andalusian classicism.

Conceived as a great triumphal arch, it is composed in a sober manner and decorated with coats of arms, canopies, fretwork windows, and glazed ceramic hemispheres, constituting a superb example of Renaissance architecture.

Like a veritable stone altarpiece, this façade is conceived in two orders superposed on Corinthian columns and curved and divided entablatures, supported on a base decorated with coats of arms and floral themes.

The ornate decor of pilasters and friezes, the superposition of vases, and the airy top, with a much reduced third rank of imagery make this façade a singular element of the Andalucian Baroque.