Jerry Garcia Band

Garcia and Kahn met in 1970 playing together at Monday jam sessions hosted by Howard Wales at the small San Francisco club, the Matrix.

"[3] Staples of the band's repertoire included Holland–Dozier–Holland's "How Sweet It Is (To Be Loved by You)" (widely perceived as the group's signature song and their most-performed song), Peter Rowan's "Midnight Moonlight," Jimmy Cliff's "The Harder They Come" and "Sitting in Limbo," the Sensational Nightingales' "My Sisters and Brothers," Hank Ballard's "Tore Up Over You," Bob McDill and Allen Reynolds' "Catfish John," John Lennon's "Dear Prudence," Jesse Stone's "Don't Let Go," Allen Toussaint's "I'll Take a Melody" and "Get Out of My Life, Woman", Little Milton's "That's What Love Will Make You Do," Chuck Berry's "Let It Rock" and "You Never Can Tell," Bruce Cockburn's "Waiting for a Miracle," Irving Berlin's "Russian Lullaby," Smokey Robinson's "The Way You Do the Things You Do" and "I Second That Emotion," Peter Tosh's "Stop That Train," Bob Marley's "Stir It Up," Robbie Robertson's "The Night They Drove Old Dixie Down," the Manhattans' "Shining Star," Van Morrison's "And It Stoned Me" and "Bright Side of the Road" and Norton Buffalo's "Ain't No Bread in the Breadbox."

The band also performed Jerome Kern and Oscar Hammerstein II's "Ol' Man River" and Miles Davis' "So What" on one occasion apiece.

As with the Grateful Dead, Jerry Garcia regularly covered many songs by Bob Dylan with the group, including "Tangled Up in Blue," "Simple Twist of Fate," "Knockin' on Heaven's Door," "Forever Young," "Señor (Tales of Yankee Power)," "Tears of Rage," "I Shall Be Released," "Tough Mama" and "When I Paint My Masterpiece."

"[4] Although the repertoire was strongly tilted toward covers, several Garcia-Robert Hunter originals (including "Run for the Roses," "Mission in the Rain," "Gomorrah," "Cats Under the Stars" and "Reuben and Cherise") were performed exclusively or near-exclusively by the Jerry Garcia Band.

During this period, the group continued to play as many as fifteen concerts a year in an informal residency at The Warfield, a 2,300-capacity theater in San Francisco.