A. in English Literature & Art History (1971); received a Certificat des études en langue et culture française, from L'Université de Montpellier, Montpellier, France (1972); and took an Honours year in Art History, at York University, Toronto (1972-1973).
[2] Bradley organized exhibitions in Canada and abroad, including Displacements: Miroslaw Balka, Doris Salcedo and Rachel Whiteread (AGO 1997), and Rodney Graham: A Little Thought, produced by the AGO in collaboration with the Los Angeles Museum of Contemporary Art and the Vancouver Art Gallery (2004).
She is co-editor, with Lesley Johnstone, of the anthology Site Lines: Reading Contemporary Canadian Art (1995, Artext, Montreal), and her essays are found in several catalogues and books.
[22] She has organized, co-organized, or contributed essays, to exhibitions or articles on the art of Giuseppe Penone (1983), and other international artists such as Miroslaw Balka, Doris Salcedo, and Rachel Whiteread (1998) and Rodney Graham (2004) as well as Canadian artists such as Tom Dean (1999), Jana Sterbak (1989, 1993), Jin-me Yoon (1987), Dominique Blain (1994), Liz Magor (1984) and Rebecca Belmore (1994).
[11] Her book "Sight Lines: Reading Contemporary Canadian Art", a thematic anthology of 25 critical texts, co-edited with Lesley Johnstone, Montreal, was published by Editions Artexte (1994).