Jewish women in jazz

Helen Forrest (born Fogel, 1917–1999) stood out, lending her vocals to major white big bands such as Artie Shaw, Benny Goodman, and Harry James.

"[2] Kitty Kallen (1921–2016), the daughter of Russian Jewish immigrants, also made a mark, showcasing her talent with acclaimed bands like Artie Shaw, Jack Teagarden, Harry James, and Jimmy Dorsey.

[3] Despite not emphasizing their Jewish heritage in their music, Fran Warren (1926–2013) and Georgia Gibbs (1919–2006) garnered acclaim as big band singers, contributing to both white and black ensembles.

[5][4] Drummer Florence "Fagle" Liebman (1922–2011) embraced a different approach, briefly passing as black while playing with the all-female African American big band, The International Sweethearts of Rhythm.

Sylvia Syms (born Blagman, 1917–1992) immersed herself in the vibrant jazz scene of New York's 52nd Street clubs during her upbringing, listening to icons such as Billie Holiday, Lester Young, and Art Tatum.

[8] Teddi King (1929–1977), another gifted vocalist, commenced her career in the 1940s, collaborating with musicians like Beryl Booker, Nat Pierce, George Shearing, and Dave McKenna.

1952), celebrated for her role in the Manhattan Transfer, contributed to the group's ten Grammy wins, showcasing their expertise in both jazz and popular music, particularly with Siegel's arrangement of "Birdland" in 1981.

1957) stands as an avant-garde jazz pioneer, collaborating with Art Ensemble of Chicago's Joseph Jarman, Henry Threadgill, Butch Morris, Leroy Jenkins, and others.

1953) boasts nine recorded albums, working with avant-garde jazz figures like Oliver Lake and Billy Bang, as well as mainstream artists such as Freddie Waits and Rufus Reid.

Her innovative compositions, recorded by various jazz musicians, showcase her distinctive use of the Moog synthesizer, while her keyboard and vocal work extended into the realm of "art rock.

While she is primarily recognized for her prowess on the clarinet, an instrument less common in contemporary jazz, Cohen identifies herself as an "international musician," also saying "I try to bring that to all of the music I play.

Her distinct and composed vocal style has earned acclaim, and she has collaborated with notable figures like Gary Burton, Chick Corea, and the Manhattan Transfer, transcending boundaries between jazz and pop music realms.

Her support extended beyond financial aid, encompassing actions such as covering rent, providing accommodations, buying food, offering transportation, assisting with employment opportunities, and hosting jam sessions at her apartment.

Due to her contributions, she became an integral part of musicians' circles, earning their admiration to the extent that several notable jazz compositions, including three by the renowned pianist-composer Thelonious Monk, bear her name in the title.