Joaquín Ibarra

Ibarra studied at Cervera, in the province of Lleida, as an apprentice to his brother Manuel, who was serving as first officer of Printing Pontifical and Royal University.

He experimented with the satin of the paper to remove marks from the printing plate; established a standardized format for developing measures of graphic types, based on the surface of a capital, similar in principle to the rules to be developed by Fournier independently; and typographical conventions such as using V to represent U [8] or using the same block for the long S and F. One of his disciples, the later head of the Company of Printers and Booksellers in the United States, Jose Siguenza, systematically collected observations as a collection and published them in 1811 with the title Mechanism of the Printing Art.

Notable are the aforementioned de Cervantes and Sallust,[9] the latter being printed as an edition of 120 copies[2] for the use of the royal family and foreign dignitaries present.

[10] Other significant issues included the Spanish Paleography (1758), Plant History (1762), Breviarium regulam Gothicum Beatissimi Secundum Isidori (1775), the second edition of the Tour of Spain by Antonio Ponz, the General History of Spain by John Mariana (1780), and the Bibliotheca Hispana Vetus et Nova (1783 - 1788), in four volumes.

The Spanish version of Sallust is widely considered to be one of the finest books ever produced and was greatly admired by Benjamin Franklin.

The error is probably based on the documents in his edition of Don Quixote of the Royal Academy, for which they made a new cast (but not a new design).

In the early twentieth century, Madrid smelter Gans held a revival called Ibarra from several of these castings, which was the starting point for other recent redesigns.

Once he had a proper background, he prepared the colors, which are pigments found in vegetables, and poured them into the bath, where they rushed to the bottom instead of floating as needed.

Memoria para Optar al Grado de Doctor Presenrada por Mariano Villegas Garcia, 2001