[citation needed] Two years later, around the time of the release of their debut album, Exit Planet Dust, Jockey Slut gave them their first magazine cover.

[citation needed] In 1994, Detroit techno musician and Underground Resistance’s leader “Mad” Mike Banks granted a rare exclusive interview, and was also given his first magazine cover.

[1] In 1997, Jockey Slut carried an in-depth feature on German label International DeeJay Gigolo, prior to the short-lived electroclash craze which happened four to five years later.

[citation needed] Throughout these years, artists including The Streets, Erol Alkan, Junior Boys, Kasabian, Audio Bullys, Headman or Danger Mouse got early support through the magazine.

Burgess started Jockey Slut's 10-year anniversary dissertation, "Blowing Our Own Trumpet",[2] with the following line: "Paul liked the Pixies, I liked Prince, but - like most 22 year olds in 1992 - we had a shared love of 'dance' music, which meant anything from the poppy KLF to heavy Belgian techno".

[citation needed] In January 2004, with Paul Mardles as editor since 2002, Jockey Slut changed to a quarterly while increasing its Internet presence, creating a webzine with daily updated content such as news, features and reviews.

The print magazine featured more in-depth material and selected highlights from the quarter past and anticipating some from the next, with its publication dates chosen to coincide with key periods in the music industry like the Spring, the Summer festivals, the Autumn and Christmas/Year-end.